<< Equipment used at 700 West Recording >>
<< Homemade Stuff >>
Bi-amped, 3-way studio monitors (Bozak lo, Eminence mids, CTS hi) with 200/100watt 700west amps & electronic x'overs
Modular analog synth w/digital key scan - more closely resembled the Buchla, than the Moog (output frequency directly proportional to control voltage). PAIA modules would i'fce with it quite well
Ring modulator signal processor (quite effective on B3 organ and electric oboe!)
Instrument pitch-to-voltage converter (to i'face instruments with the synth)
Stereo 4-band compressor
700west-redesigned Teletronics LA-3A compressor/limiters (Vactrol control elements).
3 stretched plate reverb units with 700west 30 watt driving systems (each plate had 4 active pickups on board). The wooden frames were a mistake, tho. Seasonal humidity changes would require periodic re-alignment of the drivers! Only harpsichords are worse!
4 channel console
700west 4 X 4 'consolette', with hyper-quiet mic amps for distant-mic jobs
<< Commercial Electronics >>
Magnecord PT6-AH 2-track 1/4" recorder - 15IPS
3M M23 4-track 1/2" recorder
Tascam 70-8 8-track 1/2" recorder w/DBX noise reduction
Tascam 25-2 1/4" 2-track submaster recorder
Interface Electronics Stevenson 12 X 8 console
Allison Labs compressor/limiters
Kepex gate units
Eventide Harmonizer/pitch shifter
Octave-band graphic equalizers
SWT2ASA
Delay lines: Southwest Tech Ambience Synthesizer 2AS-A
<< Capacitor Microphones >>
Neumann U-47 (1957 vintage) - (sold to Dave Meador)Neumann U-47
Sony C-37A - (sold to B.J. Rogers)
700west C7 double-button cardioid condensers
B&O stereo ribbon mic
AKG C452 modular mics w/cardioid & omni capsules
E-V 1711 electret condenser mics
<< Dynamic Microphones >>
AKG D190E
Sennheiser MD 421
Shure SM70 omni
E-V RE16
<< House Instruments >>
Wurlitzer electric piano

1934 Story & Clark studio upright piano.

The acoustic piano you hear on both of the Vol. I & II recordings is a Story & Clark - built in 1934, the year I was born. Interestingly, we both were destined to cross paths later!

Originally required for my piano class at school, it was purchased from Kenny Jagger, (a popular local TV keyboard celebrity back in the mid-50s). The instrument was a studio upright, as I couldn't afford a grand.

It later became our 700 West house piano, complete with a set of my piezo pickups which were most useful when a loud group decided to use a live acoustic piano on their rhythm beds. Plus, its carefully lacquered hammers gave this instrument a very distinctive sound, quite suited to the recording process. I quickly learned to keep it in good tune, occasionally detuning it to match groups' out-of-tune fixed pitch instruments.

The next time I needed it (15 years following our studio closure), the instrument still was in perfect tune with itself and had only slipped from A=440 to A=438! And this without the benefit of air conditioning!

One Great Box!!

Mo - 2018-02-24

Korg K2 synth
Elka string machine.