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Equipment used at 700 West Recording
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Bi-amped, 3-way studio monitors (Bozak lo, Eminence mids, CTS
hi) with
200/100watt 700west amps & electronic x'overs
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Modular analog synth w/digital key scan - more closely
resembled the Buchla, than the Moog (output frequency directly
proportional to control voltage).
PAIA modules would i'fce with it quite well
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Ring modulator signal processor (quite effective
on B3 organ and electric oboe!)
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Instrument pitch-to-voltage converter (to i'face
instruments with the synth)
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Stereo 4-band compressor
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700west-redesigned Teletronics LA-3A
compressor/limiters (Vactrol control elements).
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3 stretched plate reverb units with 700west 30 watt driving
systems (each plate had 4 active pickups on board). The wooden
frames were a mistake, tho. Seasonal humidity changes would
require periodic re-alignment of the drivers! Only harpsichords
are worse!
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700west 4 X 4
'consolette', with hyper-quiet mic amps for distant-mic jobs
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<< The commercial electronics were >>
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Magnecord PT6-AH 2-track 1/4" recorder - 15IPS
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3M M23 4-track 1/2" recorder
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Tascam 70-8 8-track 1/2" recorder w/DBX noise reduction
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Tascam 25-2 1/4" 2-track submaster recorder
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Interface Electronics Stevenson 12 X 8 console
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Allison Labs compressor/limiters
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Kepex gate units
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Eventide Harmonizer/pitch shifter
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Octave-band graphic equalizers
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Delay lines: Southwest Tech Ambience Synthesizer 2AS-A
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Capacitor mics
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Neumann U-47 (1957 vintage) - (sold to Dave Meador)
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Sony C-37A - (sold to B.J. Rogers)
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700west C7
double-button cardioid condensers
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B&O stereo ribbon mic
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AKG C452 modular mics w/cardioid &
omni capsules
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E-V 1711 electret condenser mics
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Dynamic mics
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AKG D190E
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Sennheiser MD 421
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Shure SM70 omni
- E-V RE16
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1934 Story & Clark studio upright piano; Wurlitzer electric piano
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Korg K2 synth
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Elka string machine.
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